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“I am Excited Afro Gospel Is Now Getting Recognition In Ghana” – Joseph Matthew Admonishes

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For so long a time, the Ghanaian Gospel institute was retarded in growth in event of the international front. The standardized format for Gospel music in Ghana was stagnant for a donkeys years.

The face lift started gradually from the contemporary gospel crooners like Cwesi Oteng, Sonnie Badu, Joe Mettle, Diana Hamilton, et al. There was still room for further improvement because the gospel as according to Mark 15:16 expressed instructed christians to go through every nook and cranny to preach the word. It was therefore the duty of Gospel musicians to convert the word to the very end of the streets in the language they understood best.

Joseph Matthew the ideator of Afro Gospel music in Ghana saw the vision from afar and moved the motion. Although there were criticism against the novel genre, Joseph Matthew pushed it the more further.

His songs like Hallelujah, My Story, Nyame Ye, etc has domineered most Gospel cultures outside Ghana but was finding it difficult to gain roots in Ghana because most thought the genre was cumbersome. Then his songs like, “Not Alone”, “The Name” started gaining roots in the Gospel circles in Ghana because the broad genre “Afro” was fast gaining roots in all music spheres around the world. What actually broke the camel’s back for the total acceptance of the “Afro Gospel” genre was his latest song, “Blessed” close to a year ago. The song climbed music charts both on radio and TV in Ghana. The masses on the streets and in churches also trumpeted the jam excessively. It was no doubt that the genre was now fully functional and Ghanaians were in tune with it.

Then dropped new crop of Gospel artistes like Evans Scott, who had a smashing Afro Gospel hit song titled “Mapeke” last year, Kneeded, Lucky Ekeh, Kingzkid, Fresh Joy Music and a host of other young upcomings who have adopted the genre and making good use of it.

This year’s FootPrint TV’s Celebrity Hangout Party saw ace Gospel musicians appreciating the new crop of Gospel musicians who specialize in urban gospel and the novel genre “Afro Gospel”.

In an interview with Joseph Matthew on what his thoughts were about the rise of the new genre which he played a key part of, he disclosed that he was overwhelmingly excited and feel fulfilled that at last the Ghanaian Gospel industry is in tune with the new genre. He also prayed them to support them the younglings who have made it a point in their career to do new things to help push the gospel of Jesus Christ to the ends of the earth.

Check out Joseph Matthew’s “Blessed” from below.

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ENTERTAINMENT

Unforgettable Night: Joseph Matthew Dazzles at Tema Praise Street Concert

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In a dazzling display of musical prowess, celebrated UK-based Ghanaian Afrocentric musician Joseph Matthew stole the show at this year’s Tema Praise Street Concert.

The annual event, held on Boxing Day at the TDC Towers Forecourt in Tema, brought together thousands of music enthusiasts who were treated to a night of unforgettable performances.

Joseph Matthew’s dynamic set was the highlight of the evening, as he delivered a captivating rendition of his popular hits, including ‘Blessed’, ‘The Name’, ‘Nyame Ye’, and his latest chart-topping single ‘Fear No Evil’.

The crowd was visibly entranced by the award-winning Afrocentric artiste’s performance, singing along to his infectious melodies, dancing to the oscillating rhythms, and erupting in cheers as he showcased his impressive vocal range and instrumental skills.

The audience was wowed by Joseph Matthew’s energy, passion, and charisma, which were on full display throughout his performance. His ability to seamlessly blend traditional Ghanaian rhythms with modern Afrocentric beats had the crowd mesmerized, creating an electric atmosphere that was palpable throughout the venue.

Other notable performances on the night came from Team Eternity and Cwesi Oteng, who also delivered impressive sets that got the crowd moving. However, it was Joseph Matthew’s show-stopping performance that left a lasting impression on the audience, cementing his reputation as one of the most exciting and talented Afrocentric musicians on the scene today.

Watch Joseph Matthew’s thrilling performance from the Tema Praise Street Concert below:

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ENTERTAINMENT

Shatta Wale Exposes King Ayisoba Over False Claim On Hammer Time Show

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A shocking revelation has sent shockwaves through Ghana’s music industry, as dancehall icon Shatta Wale has come forward to dispute a claim made by legendary musician King Ayisoba. The controversy surrounds the circumstances under which Shatta Wale, then known as Bandana, met the late Terry Bonchaka, a Ghanaian music legend.

Terry Bonchaka’s legacy continues to inspire and influence a new generation of Ghanaian musicians. His impact on the music scene was immense, and his friendships with emerging artists like Shatta Wale, King Ayisoba, and Kay Smooth are well-documented. However, a recent interview with King Ayisoba on Hammer Time has sparked a heated debate about how the three met.

In the interview, King Ayisoba made the astonishing claim that he and another artist, Biblicman, were responsible for introducing Shatta Wale to Terry Bonchaka. This assertion has been met with skepticism by many, and Shatta Wale has now come forward to set the record straight.

In a separate interview on “Time With Hammer”, Shatta Wale provided a detailed account of how he met Terry Bonchaka. Contrary to King Ayisoba’s claim, Shatta Wale revealed that it was Terry who rather introduced himself and Ayisoba to each other. This testimony is corroborated by Kay Smooth himself, who shared his version of events in a recent video.

In the video, Kay Smooth explained that he was friends with Terry Bonchaka and attended school with Shatta Wale. When Shatta Wale expressed his admiration for Terry’s style and requested an introduction, Kay Smooth facilitated the meeting. This account provides the final piece of the puzzle, confirming that King Ayisoba’s claim was indeed false.

The controversy surrounding King Ayisoba’s claim has sparked a lively debate about the importance of honesty and integrity in the music industry. Shatta Wale’s response and Kay Smooth’s corroborating account have provided clarity on the circumstances surrounding their meeting with Terry Bonchaka.

As the music community continues to evolve, it is essential that we prioritize truth and accuracy in our narratives.

Watch the videos from all three accounts below:

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