ENTERTAINMENT
Artiste Profile: Meet Bongo Riot, South African’s Most Prolific Reggae Dancehall Artiste
Multiple award winning and most vibrant reggae cum dancehall artiste, Bongo Riot, born Mphikeleli Zungu, took a bold step with his solo career channeling his love for music through a music genre that isn’t so popular in South Africa amongst the youth in comparison to House; Kwaito, Amapiano and Hip Hop.
However, with his leading single “Saka Leyena” receiving positive feedback in the form of radio plays, it has proven to be a step in the right direction for the innovative musician who is setting to embark on a country-wide tour to promote his upcoming album.
It would be an unfair assumption to state that Riot’s career started when he joined Gang Of Instrumentals, a musical group in South Africa. The truth is, that’s where we all got to know the kwaThema resident after his voice reverberated over Teargas’ “Champions”, a song that took South Africa by storm and put Riot on the map.
Crowned ”Mzansi’s Finest” after he won a Castle Lager Hip Hop competition that required him to battle Hip Hop performers around South Africa, Riot
boldly stood out with his Ragga/Reggae rhymes as a member of SAMA winning urban-pop group from Johannesburg, Gang Of Instrumentals, whose members included the songstress (Tumi) and
rapper Mandla N.
In the shedding of his dreadlocks, he emancipated himself and aptly dropped the “Bongo” from his stage name. Bongo Riot is the king of the Southern Africa Reggae Dancehall fraternity.
In the quest for independence and to further showcase his skills, Riot signed with TS Records with a licensing deal from EMI Music/CCP Records and released a 14-track album that kicks off with a nostalgic intro that flows into the second track – “Far Away Bride” and you will certainly know that you’re in for a treat with the Reggae/Ragga album. The bulk of the production is from the legendary Robbie Malinga as well as fellow stable mate at TS Records, Lungelo and also boasts a feature from Lungelo on “Life” and Zahara on a track called “Thetha Nami”. The album, which is suitably titled “I Am an African”, is a melting pot of Reggae/Ragga/Hip Hop and Afro-Soul sounds.
Bongo Riot is currently working with Bantu Media Productions and in 2019, he released a new album titled “Next Levels” His Music will be distributed through Powertainment Reggae Sound.
“Bongo Riot” aka Dancehall Wakanda, is one of the greatest South African vocalists who does not excel only in Dancehall/Reggae genres but also does House, Afrobeat, Amapiano and Pop.
Bongo Riot has won several awards during his career span, the most recent being Best Reggae Dancehall album at South African Music Awards, 2020/2021.
Follow Bongo Riot on the following social media fora…..
Facebook – Bongo Riot Da Rebirth
Twitter – Bongo_Riot
Instagram – Bongo Riot
YouTube – Bongo Riot Da Dancehall Wakanda
Buy or stream Next Levels By Bongo Riot from below….
Book Bongo Riot via email at [email protected] or via phone at +27739748317
ENTERTAINMENT
Unforgettable Night: Joseph Matthew Dazzles at Tema Praise Street Concert
In a dazzling display of musical prowess, celebrated UK-based Ghanaian Afrocentric musician Joseph Matthew stole the show at this year’s Tema Praise Street Concert.
The annual event, held on Boxing Day at the TDC Towers Forecourt in Tema, brought together thousands of music enthusiasts who were treated to a night of unforgettable performances.
Joseph Matthew’s dynamic set was the highlight of the evening, as he delivered a captivating rendition of his popular hits, including ‘Blessed’, ‘The Name’, ‘Nyame Ye’, and his latest chart-topping single ‘Fear No Evil’.
The crowd was visibly entranced by the award-winning Afrocentric artiste’s performance, singing along to his infectious melodies, dancing to the oscillating rhythms, and erupting in cheers as he showcased his impressive vocal range and instrumental skills.
The audience was wowed by Joseph Matthew’s energy, passion, and charisma, which were on full display throughout his performance. His ability to seamlessly blend traditional Ghanaian rhythms with modern Afrocentric beats had the crowd mesmerized, creating an electric atmosphere that was palpable throughout the venue.
Other notable performances on the night came from Team Eternity and Cwesi Oteng, who also delivered impressive sets that got the crowd moving. However, it was Joseph Matthew’s show-stopping performance that left a lasting impression on the audience, cementing his reputation as one of the most exciting and talented Afrocentric musicians on the scene today.
Watch Joseph Matthew’s thrilling performance from the Tema Praise Street Concert below:
ENTERTAINMENT
Shatta Wale Exposes King Ayisoba Over False Claim On Hammer Time Show
A shocking revelation has sent shockwaves through Ghana’s music industry, as dancehall icon Shatta Wale has come forward to dispute a claim made by legendary musician King Ayisoba. The controversy surrounds the circumstances under which Shatta Wale, then known as Bandana, met the late Terry Bonchaka, a Ghanaian music legend.
Terry Bonchaka’s legacy continues to inspire and influence a new generation of Ghanaian musicians. His impact on the music scene was immense, and his friendships with emerging artists like Shatta Wale, King Ayisoba, and Kay Smooth are well-documented. However, a recent interview with King Ayisoba on Hammer Time has sparked a heated debate about how the three met.
In the interview, King Ayisoba made the astonishing claim that he and another artist, Biblicman, were responsible for introducing Shatta Wale to Terry Bonchaka. This assertion has been met with skepticism by many, and Shatta Wale has now come forward to set the record straight.
In a separate interview on “Time With Hammer”, Shatta Wale provided a detailed account of how he met Terry Bonchaka. Contrary to King Ayisoba’s claim, Shatta Wale revealed that it was Terry who rather introduced himself and Ayisoba to each other. This testimony is corroborated by Kay Smooth himself, who shared his version of events in a recent video.
In the video, Kay Smooth explained that he was friends with Terry Bonchaka and attended school with Shatta Wale. When Shatta Wale expressed his admiration for Terry’s style and requested an introduction, Kay Smooth facilitated the meeting. This account provides the final piece of the puzzle, confirming that King Ayisoba’s claim was indeed false.
The controversy surrounding King Ayisoba’s claim has sparked a lively debate about the importance of honesty and integrity in the music industry. Shatta Wale’s response and Kay Smooth’s corroborating account have provided clarity on the circumstances surrounding their meeting with Terry Bonchaka.
As the music community continues to evolve, it is essential that we prioritize truth and accuracy in our narratives.
Watch the videos from all three accounts below:
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