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MUSIC

Bra Dondo – Go Away (Prod. By Asaawa Dondo)

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Ghanaian artist Bra Dondo, renowned for his uplifting lyrics and soulful tunes, has recently dropped a new track titled ‘Go Away.’ Produced by the talented Asaawa Dondo, this song resonates with audiences by addressing the issue of fake friendships. In ‘Go Away,’ Bra Dondo delivers a powerful message, urging all insincere companions to distance themselves because he refuses to engage with disloyalty. This article delves into the song’s themes and highlights the artist’s commitment to authenticity and genuine connections.

‘Go Away’ serves as a candid expression of Bra Dondo’s desire for true, meaningful relationships. The song captivates listeners with its relatable lyrics, as the artist exposes the detrimental effects of fake friendships. Through his powerful and soulful delivery, Bra Dondo emphasizes his unwillingness to tolerate deceit and insincerity. With catchy hooks and an infectious beat, ‘Go Away’ carries a powerful message that encourages listeners to reflect on their own relationships and identify genuine connections.

Bra Dondo has long been celebrated for his unique style of music, which blends elements of highlife, hip-hop, and Afrobeat. With each release, he manages to captivate audiences with his soul-stirring melodies and thought-provoking lyrics. ‘Go Away’ continues this trend, showcasing Bra Dondo’s ability to create music that is both catchy and meaningful. His distinctive voice and delivery make the song an instant favorite among fans, solidifying his reputation as a talented and versatile artist.

‘Go Away’ goes beyond being just a catchy tune; it acts as a catalyst for introspection and encourages listeners to evaluate their own relationships. By highlighting the dangers of fake friendships, Bra Dondo’s lyrics compel individuals to seek meaningful connections based on trust and loyalty. The song serves as a reminder that surrounding oneself with genuine friends contributes to personal growth, happiness, and overall well-being.

Bra Dondo’s ‘Go Away’ is expected to resonate strongly with audiences due to its relatability and authenticity. In a world where superficial relationships sometimes dominate, this song serves as a wake-up call, reminding listeners to prioritize sincerity and genuine connections. Through his music, Bra Dondo aims to create a community that values trust, loyalty, and support.

With the release of ‘Go Away,’ Bra Dondo continues to establish himself as one of Ghana’s most talented artists. By addressing the issue of fake friendships, he sparks conversations about the importance of authenticity and genuine connections. Through his soulful melodies and thought-provoking lyrics, Bra Dondo encourages listeners to evaluate their own relationships and make choices that prioritize true companionship. ‘Go Away’ serves as a reminder that life is too short to waste on insincere friendships, urging individuals to seek meaningful connections and surround themselves with people who uplift and support them.

 

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ENTERTAINMENT

Shatta Wale Exposes King Ayisoba Over False Claim On Hammer Time Show

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A shocking revelation has sent shockwaves through Ghana’s music industry, as dancehall icon Shatta Wale has come forward to dispute a claim made by legendary musician King Ayisoba. The controversy surrounds the circumstances under which Shatta Wale, then known as Bandana, met the late Terry Bonchaka, a Ghanaian music legend.

Terry Bonchaka’s legacy continues to inspire and influence a new generation of Ghanaian musicians. His impact on the music scene was immense, and his friendships with emerging artists like Shatta Wale, King Ayisoba, and Kay Smooth are well-documented. However, a recent interview with King Ayisoba on Hammer Time has sparked a heated debate about how the three met.

In the interview, King Ayisoba made the astonishing claim that he and another artist, Biblicman, were responsible for introducing Shatta Wale to Terry Bonchaka. This assertion has been met with skepticism by many, and Shatta Wale has now come forward to set the record straight.

In a separate interview on “Time With Hammer”, Shatta Wale provided a detailed account of how he met Terry Bonchaka. Contrary to King Ayisoba’s claim, Shatta Wale revealed that it was Terry who rather introduced himself and Ayisoba to each other. This testimony is corroborated by Kay Smooth himself, who shared his version of events in a recent video.

In the video, Kay Smooth explained that he was friends with Terry Bonchaka and attended school with Shatta Wale. When Shatta Wale expressed his admiration for Terry’s style and requested an introduction, Kay Smooth facilitated the meeting. This account provides the final piece of the puzzle, confirming that King Ayisoba’s claim was indeed false.

The controversy surrounding King Ayisoba’s claim has sparked a lively debate about the importance of honesty and integrity in the music industry. Shatta Wale’s response and Kay Smooth’s corroborating account have provided clarity on the circumstances surrounding their meeting with Terry Bonchaka.

As the music community continues to evolve, it is essential that we prioritize truth and accuracy in our narratives.

Watch the videos from all three accounts below:

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MUSIC

Joseph Matthew Unveils Electrifying Live Rendition of “The Name” with Groove House Studio

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Ghanaian Afrogospel sensation Joseph Matthew is proud to announce the release of his highly anticipated live rendition of the hit single “The Name”, in collaboration with esteemed Groove House Studio.

The live rendition of “The Name” showcases Joseph Matthew’s exceptional musical talent and emotional depth.

The performance features a masterful blend of instruments, including bass, keyboards and drums, expertly crafted to create an unforgettable soundscape.

“I am thrilled to share this live rendition of ‘The Name’ with my fans,” says Joseph Matthew. “This song represents my journey of faith and redemption, and I am grateful to have had the opportunity to share it with the world.”

Checkout the live version of “The Name” from below. Do not forget to share as well.

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