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Herbyboi Expressed Disappointments In Industry Gatekeepers Over Highlife Music.

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“The persons who assert to be the link between the ancient and modern in order to maintain the original highlife are the problem with highlife music in Ghana ” – Afrolife musician Herbyboi expressed disappointments.

The performer claims that highlife is not a specific musical genre but rather an old-fashioned musical style.

The musician has stated on numerous occasions that the phrase “Highlife music” simply refers to a style of music that doesn’t actually exist in modern day.

His remarks about Ghana’s musical history have stirred discussion on both the traditional media and social media, with pundits offering a variety of viewpoints.

Herbyboi recently reaffirmed that the individuals who act as a link between the older generation of artists and the younger crop of musicians are the problem with Highlife music.

He argued that these individuals are making every effort to preserve the Highlife as a musical genre which can’t materialise.

Herbyboi claims that these industry leaders are rejecting the revolution in musical taste and criticizing upcoming musicians who want to change the style. They reject the idea that Highlife music has changed over time as new sounds from each generation have been incorporated.

He said ” A young musician will deliver a great piece of Highlife music in a morbid manner and face backlash from these industry gurus. They always want to stick with the aged components and style”.

He insisted that it is finally time for people to understand that the Highlife music they grew up listening to was created for a particular generation and is now obsolete.

“People need to recognize that the traditional Highlife sounds are no longer relevant.” In the system in which we live, sound fusion is crucial. Many young musicians today avoid being classified as Highlife vocalists out of fear of criticism.”

“I made the decision to create a kind of music I named “Afrolife,” – a fusion of Highlife music style and other African rhythms and sounds” he said.

Herbyboi came to the conclusion that he doesn’t want people to judge his songs of not being a highlife music just because they don’t contain any components of the traditional Highlife guitar patterns, such as the kwaw, amponsah, Sekyi, and others.

Herbyboi explained, “My sound is afrolife, which is a modified Highlife style with African fusion sounds’ ‘.

Herbyboi is a sensational Ghanaian musician. He is well known for his musical prowess and vocal dexterity.

He shot to prominence after emerging the third runner-up at the 11th edition popular Ghanaian TV reality show “Tv3 Mentor” in 2022.

Herbyboi has won the hearts of many with his latest published song dubbed “Hold You Down”.

Currently, Herbyboi is championing a new genre of music which he calls ‘Afrolife’ and according to him, its a typical fusion of the old Ghanaian Highlife style of music and varieties of Afro sounds.

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ENTERTAINMENT

Shatta Wale Exposes King Ayisoba Over False Claim On Hammer Time Show

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A shocking revelation has sent shockwaves through Ghana’s music industry, as dancehall icon Shatta Wale has come forward to dispute a claim made by legendary musician King Ayisoba. The controversy surrounds the circumstances under which Shatta Wale, then known as Bandana, met the late Terry Bonchaka, a Ghanaian music legend.

Terry Bonchaka’s legacy continues to inspire and influence a new generation of Ghanaian musicians. His impact on the music scene was immense, and his friendships with emerging artists like Shatta Wale, King Ayisoba, and Kay Smooth are well-documented. However, a recent interview with King Ayisoba on Hammer Time has sparked a heated debate about how the three met.

In the interview, King Ayisoba made the astonishing claim that he and another artist, Biblicman, were responsible for introducing Shatta Wale to Terry Bonchaka. This assertion has been met with skepticism by many, and Shatta Wale has now come forward to set the record straight.

In a separate interview on “Time With Hammer”, Shatta Wale provided a detailed account of how he met Terry Bonchaka. Contrary to King Ayisoba’s claim, Shatta Wale revealed that it was Terry who rather introduced himself and Ayisoba to each other. This testimony is corroborated by Kay Smooth himself, who shared his version of events in a recent video.

In the video, Kay Smooth explained that he was friends with Terry Bonchaka and attended school with Shatta Wale. When Shatta Wale expressed his admiration for Terry’s style and requested an introduction, Kay Smooth facilitated the meeting. This account provides the final piece of the puzzle, confirming that King Ayisoba’s claim was indeed false.

The controversy surrounding King Ayisoba’s claim has sparked a lively debate about the importance of honesty and integrity in the music industry. Shatta Wale’s response and Kay Smooth’s corroborating account have provided clarity on the circumstances surrounding their meeting with Terry Bonchaka.

As the music community continues to evolve, it is essential that we prioritize truth and accuracy in our narratives.

Watch the videos from all three accounts below:

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MUSIC

Joseph Matthew Unveils Electrifying Live Rendition of “The Name” with Groove House Studio

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Ghanaian Afrogospel sensation Joseph Matthew is proud to announce the release of his highly anticipated live rendition of the hit single “The Name”, in collaboration with esteemed Groove House Studio.

The live rendition of “The Name” showcases Joseph Matthew’s exceptional musical talent and emotional depth.

The performance features a masterful blend of instruments, including bass, keyboards and drums, expertly crafted to create an unforgettable soundscape.

“I am thrilled to share this live rendition of ‘The Name’ with my fans,” says Joseph Matthew. “This song represents my journey of faith and redemption, and I am grateful to have had the opportunity to share it with the world.”

Checkout the live version of “The Name” from below. Do not forget to share as well.

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